Exhibition Dates: 2020.10.10 – 11.10

Exhibition Location: PAC Contemporary Art Terminal,Tianjing

Exhibited Works: Live performance, Drawing.

Live performance

40‘00“

Video

22'17", PAL, 1920 x 1080, 有声 sound, 彩色 color

类型 Type

剧场／单频道录像 Theatre / Single-channel video

视频版本 Video File Version

展览版本 Exhibition Copy

系列 Series

美术馆剧场计划 Museum-Theatre Project

作品陈述

这个作品艺术家把场地改编成一个舞厅、一个展示跳舞爱好者身体的现场，并将其魔幻、纪实的舞台语言与舞剧多角度视点结合在一起，尝试在其中检索个体特征的同时探讨在全球化、防疫运动和可持续发展背景下的个体记忆和集体记忆，还有关于人与人距离的历史成因。叙述解放后的中国舞蹈发展史和受此影响的群众如何在自发组织的舞蹈活动中发明建立属于自己的身体姿势。进而研究这些身体姿势和它形成的社会条件，以此展示中国社会不同阶段的历史困境和集体主义美学。

Work Statement

In this work, the artist describes the space a ballroom and scene which to show bodies of dance enthusiasts, and combined the stage language, magic or realistic, with the multi perspectives of dance drama. It is a trial of retrieval about the individual characteristics, exploring the individual and collective memory under the background of globalization, epidemic prevention movement and sustainable development, as well as the historical cause of the distance between individuals. It is a story narrative on the history of Chinese dance since New China was founded in 1949 and thereby how affected people initiated their personal gestures in the spontaneous dance activities. Then the artist studied on these postures, and further, the social conditions of formation, so as to show the historical dilemma and collectivism aesthetics in different stages of Chinese society.